Kanstantsin Kuzniatsou is a graduate of the Belarusian State Choreographic College (1992, A.I. Kolyadenko’s class) and the Belarusian State Academy of Music (2005). He joined the ballet company of the Belarusian State Musical Theatre in 1992. Since 2007, he has danced with the company of the National Academic Bolshoi Opera and Ballet Theatre of the Republic of Belarus.

Romeo, Mercutio Romeo and Juliet
Albrecht, pas de deux Giselle
Désiré, the Blue Bird The Sleeping Beauty
The Prince, Drosselmeier The Nutcracker
Basilio Don Quixote
Lanquedem, Ali Le Corsaire
The Abbot Carmina Burana
The Bronze Idol La Bayadère
The title role Cipollino
Nurali The Fountain of Bakhchisarai
Crassus Spartacus
Modest, the Father Anyuta
Soloist Sechs Tänze
The Vizier Seven Beauties
Mengo, Frondoso Laurencia
Soloist Pagliacci opera

His repertoire also includes choreographic miniatures, such as Le spectre de la rose (Radu Poklitaru’s choreography), The World Does Not End at One’s House Door (Radu Poklitaru’s choreography), Adagio (Radu Poklitaru’s choreography), Tarantella (choreography by George Balanchine), etc.

Kanstantsin Kuzniatsou’s repertoire with the State Musical Theatre included leading roles in Don Quixote, Walpurgis Night, Giselle, In pivo veritas, Carmen Suite, Mephisto, The Tale of a Sleeping Princess, Chopiniana, Scheherazade, etc.

As a ballet-master and répétiteur, he was engaged in Jiří Kylián’s Sechs Tänze, as well as productions of the operas Carmen by Georges Bizet (2015), Macbeth by Giuseppe Verdi (2016), La traviata by Giuseppe Verdi (2017).

He choreographed and staged one-act ballets Waiting Room (2012) and Who Am I? (2015) for the Small Stage of the Bolshoi Theatre of Belarus.

He has danced with the Norway National Ballet (Oslo), Huston Ballet (USA), United Dance Company (Paris), Russian Chamber Moscow Ballet (Russia), ballet company of the National Opera of Ukraine (Kyiv). He has toured Lithuania, Ukraine, Latvia, France, Germany, Japan, Moldova, etc.