Certificate at the International Competition in Pyongyang (Democratic People's Republic of Korea, 2001)
Dmitry Kapilov graduated from the Belarusian State Conservatoire in 1997 where he had studied under the People’s Artist of the USSR A. Savchenko.
He joined the opera company of the Bolshoi Theatre of Belarus in 1997.
From 2003 to 2006, he was a soloist with the Norwegian National Opera and Ballet in Oslo.
The Old Hebrew Samson et Dalila
Gremin Eugene Onegin
King René, Bertrand Iolanta
The Prince of Galich Prince Igor
Figaro, Bartolo The Marriage of Figaro
Don Basilio Il barbiere di Siviglia
Escamillo, Zuniga Carmen
Zaccaria Nabucco
The Doctor La traviata
Silvano Un ballo in maschera
Ferrando Il trovatore
The King of Egypt Aida
Banquo Macbeth
Colline, Alcindoro, Benoît La bohème
Simone Gianni Schicchi
The Bear The Little Tower Chamber
The Frost, Bermyata The Snow Maiden
The Mercenary The Grey Legend
The Owl Winnie-the-Pooh
Buff Der Schauspieldirektor
The Composer Prima la musica e poi le parole
Khovansky Khovanshchina
The Dutchman Der fliegende Holländer
Monterone Rigoletto
Malyuta The Tsar’s Bride
The Elephant Doctor Ouchithurts
Soldiers Salome
Lead bass in Requiem by Wolfgang Amadeus Mozart, Requiem by Giuseppe Verdi, Symphony No. 14 by Dmitri Shostakovich
Dmitry Kapilov’s international appearances include Меlchtal in Guillaume Tell at the Rossini Festival in Germany (conductor Wilhelm Keitel); King René in Iolanta in Nizhny Novgorod, Russia; Frank in Die Fledermaus in Madrid and Barcelona, Spain; bass part in Johann Sebastian Bach's Magnificat in Bergamo, Oggiono, Milan, Italy.
With the company he has toured Germany, Spain, and the Netherlands.