Diana Trifonova

Diana Trifonova is a graduate of the Konstantin Dankevich Odessa Music School (1992) and the Odessa National Antonina Nezhdanova Conservatory (1998).

She made her debut with the Odessa National Academic Opera and Ballet Theatre as Violetta in La traviata by Giuseppe Verdi. Her other roles with the Odessa Theatre included Rosina in Il barbiere di Siviglia by Gioachino Rossini, Frasquita in Georges Bizet’s Carmen, Brigitta in Pyotr Tchaikovsky’s Iolanta.

She has collaborated with the chamber orchestra of the Bavarian House Odessa and the Odessa Philharmonic Chamber Orchestra, and worked with numerous noted conductors, including Peter Schurz (Germany), Igor Shavruk, Yarema Skirbinsky, Vasily Vasilenko, David Sipitiner (Ukraine), Thomas Salson (USA).

Diana Trifonova joined the opera company of the Bolshoi Theatre of Belarus in 2008.

She regularly appears in concert and has collaborated with the Chamber Soloists of Minsk (conductor Dmitry Zubov) and the Iosif Zhinovich National Academic Folk Orchestra of the Republic of Belarus (The Apocrypha and Yakub Kolas Square by Larisa Simakovich), among others.

The Eldest Sister, the Cook / The Tale of Tsar Saltan

Brigitta / Iolanta

Giannetta / L'elisir d'amore

Prilepa / The Queen of Spades

The Fairy / Pinocchio by Gloria Bruni

Rosalinde / Die Fledermaus

Gilda, Countess Ceprano / Rigoletto

Violetta / La traviata

Rosina / Il barbiere di Siviglia

Frasquita / Carmen

The Polovtsian Maiden / Prince Igor

The Fox / The Little Tower Chamber by Ilya Polskiy

Oscar / Un ballo in maschera

The title role / The Snow Maiden

Kasya / Someone Else's Wealth Does Not Serve Anyone by Jan Dawid Holland

Pamina, the Second Boy / Die Zauberflöte

Ding, the First Minister / Magic Music by Mark Minkov

Rita / Rita, ou le mari battu

The Piglet / Winnie-the-Pooh by Olga Petrova

Galatea / Metamorphoses (vocal part in the ballet to the music by Johann Sebastian Bach)
She / La voix humaine

Lucy / The Telephone

Mademoiselle Silberklang / Der Schauspieldirektor

Tonina / Prima la musica e poi le parole

Soprano in George Frideric Handel’s Messiah, Felix Mendelssohn’s Elijah, Johann Sebastian Bach’s St John Passion and Mass in B minor, Requiem by Wolfgang Amadeus Mozart and Gabriel Fauré, Membra Jesu nostri by Dieterich Buxtehude, Der Tod Jesu by Carl Heinrich Graun

She has toured Germany.